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Ghid typeface

Ghid is a guide in Romanian language.

Ghid “przewodnik” to bezszeryfowy krój pisma zaprojektowany dla systemów informacyjnych, tablic oraz znaków. Inicjatywą było stworzenie kroju widocznego z daleka o wyraźnym rysunku i podkreślonych elementach charakterystycznych. Z czasem projekt rozrósł się do kilku wersji szerokości i prawdziwej kursywie.

Ghid to także przewodnik w projektowaniu krojów pisma. Jego tworzenie było przygodą prowadzącą przez zawiłości systemów pisma łacińskiego, cyrylicy i greckiego, a także kształtu i historii znaków nawet tych odległych stylistycznie.

Powstało 711 glifów, w każdym z 12 wariantów i wspierające 162 języków.

font variants

Thin

Aa
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
1234567890 !@£$%&*()+-–—“”‘’?/
Thin
Italic
Aa
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
1234567890 !@£$%&*()+-–—“”‘’?/
Light
Aa
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
1234567890 !@£$%&*()+-–—“”‘’?/
Light
Italic
Aa
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
1234567890 !@£$%&*()+-–—“”‘’?/

Regular

Aa
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
1234567890 !@£$%&*()+-–—“”‘’?/
Regular
Italic
Aa
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
1234567890 !@£$%&*()+-–—“”‘’?/

Medium

Aa
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
1234567890 !@£$%&*()+-–—“”‘’?/
Medium
Italic
Aa
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
1234567890 !@£$%&*()+-–—“”‘’?/

SemiBold

Aa
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
1234567890 !@£$%&*()+-–—“”‘’?/
SemiBold
Italic
Aa
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
1234567890 !@£$%&*()+-–—“”‘’?/

Bold

Aa
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
1234567890 !@£$%&*()+-–—“”‘’?/
Bold
Italic
Aa
ABCDEFGHIJKLMNOPQRSTUVWXYZ
abcdefghijklmnopqrstuvwxyz
1234567890 !@£$%&*()+-–—“”‘’?/

font scripts

Latin

Glib jocks quiz nymph to vex dwarf.

CYRILLIC

Экс-граф? Плюш изъят. Бьём чуждый цен хвощ!

GREEK

Ξεσκεπάζω την ψυχοφθόρα σας βδελυγμία.

Sample

This is the Ghid title & heading 60 px
This is the Ghid title & heading 54 px
This is the Ghid title & heading 48 px
This is the Ghid title & heading 36 px
This is the Ghid title & heading 36 px
This is the Ghid title & heading 32 px
This is the Ghid title & heading 28 px
This is the Ghid title & heading 26 px
Ghid title 36 px
Ghid title 32 px
Ghid title 28 px
Ghid title 26 px
22px
Traditionally, text is composed to create a readable, coherent, and visually satisfying typeface that works invisibly, without the awareness of the reader. Even distribution of typeset material, with a minimum of distractions and anomalies, is aimed at producing clarity and transparency. Choice of typeface(s) is the primary aspect of text typography—prose fiction, non-fiction, editorial, educational, religious, scientific, spiritual, and commercial writing all have differing characteristics and requirements of appropriate typefaces and their fonts or styles.
20px
Traditionally, text is composed to create a readable, coherent, and visually satisfying typeface that works invisibly, without the awareness of the reader. Even distribution of typeset material, with a minimum of distractions and anomalies, is aimed at producing clarity and transparency. Choice of typeface(s) is the primary aspect of text typography—prose fiction, non-fiction, editorial, educational, religious, scientific, spiritual, and commercial writing all have differing characteristics and requirements of appropriate typefaces and their fonts or styles.
18px
Traditionally, text is composed to create a readable, coherent, and visually satisfying typeface that works invisibly, without the awareness of the reader. Even distribution of typeset material, with a minimum of distractions and anomalies, is aimed at producing clarity and transparency. Choice of typeface(s) is the primary aspect of text typography—prose fiction, non-fiction, editorial, educational, religious, scientific, spiritual, and commercial writing all have differing characteristics and requirements of appropriate typefaces and their fonts or styles.
16px
Traditionally, text is composed to create a readable, coherent, and visually satisfying typeface that works invisibly, without the awareness of the reader. Even distribution of typeset material, with a minimum of distractions and anomalies, is aimed at producing clarity and transparency. Choice of typeface(s) is the primary aspect of text typography—prose fiction, non-fiction, editorial, educational, religious, scientific, spiritual, and commercial writing all have differing characteristics and requirements of appropriate typefaces and their fonts or styles.
14px
Traditionally, text is composed to create a readable, coherent, and visually satisfying typeface that works invisibly, without the awareness of the reader. Even distribution of typeset material, with a minimum of distractions and anomalies, is aimed at producing clarity and transparency. Choice of typeface(s) is the primary aspect of text typography—prose fiction, non-fiction, editorial, educational, religious, scientific, spiritual, and commercial writing all have differing characteristics and requirements of appropriate typefaces and their fonts or styles.
12px
Traditionally, text is composed to create a readable, coherent, and visually satisfying typeface that works invisibly, without the awareness of the reader. Even distribution of typeset material, with a minimum of distractions and anomalies, is aimed at producing clarity and transparency. Choice of typeface(s) is the primary aspect of text typography—prose fiction, non-fiction, editorial, educational, religious, scientific, spiritual, and commercial writing all have differing characteristics and requirements of appropriate typefaces and their fonts or styles.
10px
Traditionally, text is composed to create a readable, coherent, and visually satisfying typeface that works invisibly, without the awareness of the reader. Even distribution of typeset material, with a minimum of distractions and anomalies, is aimed at producing clarity and transparency. Choice of typeface(s) is the primary aspect of text typography—prose fiction, non-fiction, editorial, educational, religious, scientific, spiritual, and commercial writing all have differing characteristics and requirements of appropriate typefaces and their fonts or styles.

panagrams

The quick brown fox jumps over the lazy dog. Muzicologă în bej, vând whisky și tequila, preț fix. Polyfon zwitschernd aßen Mäxchens Vögel Rüben, Joghurt und Quark. Nechť již hříšné saxofony ďáblů rozezvučí síň úděsnými tóny waltzu, tanga a quickstepu. Høj bly gom vandt fræk sexquiz på wc. Ξεσκεπάζω την ψυχοφθόρα σας βδελυγμία. Törkylempijävongahdus. Zəfər, jaketini də papağını da götür, bu axşam hava çox soyuq olacaq. Pijamalı hasta yağız şoföre çabucak güvendi. Jámbor célú, öv ügyű ex-qwan ki dó-s főz, puhít. Pri Jakcu bom vzel šest čudežnih fig. Шеф взъярён так щипцы с эхом гудбай Жюль.

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